|
|
|
|
A Book of Bones: A Charlie Parker Thriller: 17. John Connolly Bestseller
The new thrilling instalment of John Connolly's popular Charlie Parker series.
He is our best hope.
He is our last hope.
On a lonely moor in the northeast of England, the body of a young woman is discovered near the site of a vanished church. In the south, a girl lies buried beneath a Saxon mound. To the southeast, the ruins of a priory hide a human skull.
Each is a sacrifice, a summons.
And something in the shadows has heard the call.
But another is coming: Parker the hunter, the avenger. Parker's mission takes him from Maine to the deserts of the Mexican border; from the canals of Amsterdam to the streets of London - he will track those who would cast this world into darkness.
Parker fears no evil.
But evil fears him . . .
Product details
- Hardcover: 720 pages
- Publisher: Hodder & Stoughton (18 April 2019)
- Language: English
- ISBN-10: 1473642019
- ISBN-13: 978-1473642010
- Product Dimensions: 16.3 x 6.1 x 24.2 cm
Review
This is a weighty epic, full of cunningly knotted plot strands (Mail on Sunday)
This could be Connolly's masterpiece, but who knows what might appear in the future (Buzzmag)
Essential reading for any Charlie Parker fan, and a masterclass in juggling multiple styles. 10/10 (SciFi Bulletin)
This is a five-star novel. How can Connolly possibly surpass it? I can't wait to find out (Shots magazine)
Dark, full of depth, at times downright creepy, totally gripping and ticks all the boxes for a must-read (The Tattooed Book Geek)
Another classic Charlie Parker tale . . . where history, lore, myth and legend come together to welcome sacrifice (Press Association)
Connolly's potent, turbulent blend of crime and supernatural fiction is on full display, and there is a new stylistic ease . . . A Book of Bones is a rich mix . . . infused with English folk mythology and an uncanny feel for landscape and setting, with a delirious, propulsive plot (Declan Hughes Irish Times)
Book Description
Parker fears no evil. But evil fears him . . .